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The Krishna Balaram Mandir Although Srila Prabhupada's ethic was 'quality as more important than quantity', he also recognized the importance of reaching the entire world... "flood the world with Krishna art" ...as soon and as effectively as possible. And so his books, of which many millions have sold worldwide, were filled with the artwork produced by a very determined, regulated, and punctual team of artists,who produced a large quantity of artwork in a remarkably short span of time. They had to have the paintings ready for our on-site photo lab, in order to publish them on time along side the text which was being printed on our on-site printing press. So there was a constant pressure to meet deadlines. But it was ecstatic! I was fortunate in those days (early '70's) to work with that dynamic team when they were stationed in Brooklyn, New York. When I came back to the U.S. from India I went to West Virginia's Prabhupada's Palace, and painted the ceiling with my friend and famous devotee artist Muralidhar. Somehow I was in the picture on the cover of the Sunday newsmag there as I was walking around the Palace chanting. Then I went up to the Toronto temple in Canada to paint the altar walls and canvas paintings, then to Montreal where I painted 17 panels of the Vedic-style arched walls in the Chez Govinda Restaurant
Painting in Toronto Unfortunately a few years later the restaurant caught fire and it burnt down along with my artwork. Then I heard that the New York temple was sold and my murals were all painted over. But as Prabhupada said "you have no end to it"...So I kept going, painting constantly. Whenever there were no temple walls or ceilings to do, somehow people would come forward and ask me to paint something original or paint a copy of another Krishna painting. |